Mélisande’s Allée, Dumbarton Oaks, Spring 2008. Photo by Richard Cheek
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Of Common Mind

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For the last four decades the Southern Garden History Society and Dumbarton Oaks have enjoyed a close relationship. Much of this relationship is based on the shared appreciation of gardens and their history and importance within our culture. Dumbarton Oaks and Southern Garden History Society scholarship has intertwined in various ways over the years. Dumbarton Oaks has published the work of SGHS members and has invited them to speak at symposia and be part of the fellowship program. Southern Garden History Society members have shared historical and horticultural expertise and visited Dumbarton Oaks many times, including as part of the annual meetings in 1990 and 2000.

Peggy Cornett, South Terrace of Monticello, Spring 2020. Photo by Charlotte Devine
Peggy Cornett, South Terrace of Monticello, Spring 2020. Photo by Charlotte Devine

One of the earliest of the many SGHS/DO collaborations was in 1985 when Dumbarton Oaks and Harvard University Press published Popular Annuals of Eastern North America, 1865 – 1914 written by Peggy Cornett, our editor of Magnolia and Monticello’s curator of plants, in partial fulfillment for her degree of Master of Science from the University of Delaware’s Longwood Graduate Program. Studying rare books, catalogue collections, seed and plant lists (some within the Dumbarton Oaks library), Peggy documented in her book the cultivation and use of a selection of annuals, including among others China asters, California poppies, marigolds, and zinnias, which were popular during the fifty-year period of great change after the Civil War.

Clara Edwards, sweeping her daughter Ella Mae’s yard. Photograph courtesy of Richard Westmacott.

In May 1990, SGHS member Richard Westmacott, professor at the School of Environmental Design, University of Georgia, contributed to the fourteenth Dumbarton Oaks Colloquium on the History of Landscape Architecture (published in 1993 as The Vernacular Garden) with his paper The Gardens of African-Americans in the Rural South. Richard’s findings were based on the study of three sites in the South, one in the Georgia Piedmont, one in the Low Country of South Carolina, and one in the Black Belt of Alabama.

For the Spring 1992 issue of Magnolia, in The Gardens and Yards of African-Americans in the Rural South, Richard wrote further of his attempt to understand better the traditions of African-American gardens. At these three sites, he spoke with gardeners who were at least fifty years old and who remembered the gardens of their parents. His book on the subject The Gardens and Yards of African-Americans in the Rural South was published in Fall 1992. Richard spoke further of his research in the talk The African-American Influence at the 1993 Ninth Conference on Restoring Southern Gardens and Landscapes, co-sponsored by the Southern Garden History Society, Old Salem, the Museum of Early Southern Decorative Arts, Reynolda, and Stagville. Ken McFarland reviewed the conference and Richard’s talk in Old Salem Conference Explores Diversity of Southern Cultural Landscape,  Magnolia, Vol. X, No. 2.

Mount Airy, Virginia; northeast front, 1827. Watercolor by Anthony St. John Baker from Mémoires d’un voyageur qui se repose, London, 1850 (photo: Henry E. Huntington Library and Art Gallery, San Marino, California).

In 1991 SGHS members Allan Brown and Suzanne Turner, both Fellows in the DO Garden and Landscape Studies Program, participated in the fifteenth Dumbarton Oaks symposium, later published as Regional Garden Design in the United States. Allan, in his essay, Eighteenth-Century Virginia Plantation Gardens: Translating an Ancient Idyll, describes the European antecedents and design of several gardens that the Society has studied and visited together, including Sabine Hall, Stratford, Mount Airy (all visited as part of annual meeting 2005, reviewed in Magnolia, Vol. XX, No. 1), Tuckahoe (visited as part of annual meeting 2012, reviewed in Magnolia,  Vol. XXV, No. 3), Monticello (visited as part of annual meeting 1987, reviewed in Magnolia, Vol. IV, No. 2) and Mount Vernon (visited as part of annual meetings 1990, 2000, and 2010, reviewed most recently Magnolia, Vol. XXIII, No. 3). Many of these gardens have been or are staffed by SGHS members. (Interestingly, and relating to current conversations, Allan finished his 1995 chapter with the footnote “Of course, it was a tragic irony that this idyll was sustained on the plantations through the enslavement of others.”)

C. A. de Armas, Plan Book 62, fol.8, 1853 (photo: Courtesy Hon. Chelsey Richard Napoleon, Clerk of Civil District Court, Parish of Orleans)

Suzanne Turner, in her essay, Roots of a Regional Garden Tradition: The Drawings of the New Orleans Notarial Archives, examines the oversized, measured, nineteenth-century architectural watercolors of the Latin Quarter and Garden District contained within the Notarial Archives to understand the origins of New Orleans gardens of today. SGHS member, Sally Reeves, as archivist for the Archives for over forty years, helped to orchestrate the funding, conservation, photography, and research into the 5,500 drawings within the collection.  As part of the SGHS 2004 annual meeting, reviewed by Peggy Cornett in Magnolia Vol. XIX, No. 2., Sally arranged visits to gardens in the French Quarter and Garden District documented within these drawings. Sally’s and Suzanne’s work has dovetailed in other projects. In 2008, Suzanne, who is professor emeritus of landscape architecture at LSU, completed the New Orleans City Park Cultural Landscape Report, the park that Sally had documented in History of City Park New Orleans, published in 2000.

Of special note, Suzanne is the 2019 recipient of the first Southern Garden History Society William Lanier Hunt Award, for exceptional contribution to the field of Southern garden history. Suzanne attributes her choice of the practice of landscape architecture and study of landscape history to mentors Catherine Howett and her husband John, Suzanne’s major professor in art history at Emory University.

Photo courtesy of Catherine Howett
Photo courtesy of Catherine Howett

In addition to her immense contribution to landscape architecture and landscape history, Catherine Howett has played an important role in the history of both the Southern Garden History Society and Dumbarton Oaks. As a Southern Garden History Society charter member and the third president (1986-1988), she was instrumental in the founding and early leadership of the Society. In the years since, she has contributed numerous articles to Magnolia and edited the Society’s first Magnolia Essay, Residential Work of the Olmsted Firm in Georgia, 1893 -1937, written by Lucy Lawliss, Catherine’s graduate student at the University of Georgia.


At Dumbarton Oaks Catherine served as a Senior Fellow in Garden and Landscape Studies, planning and participating in the activities of the department for the years 1995 –2002, during which time she contributed to numerous symposia and publications.

In addition to being a friend and mentor for Suzanne and Lucy, Catherine has shaped my career and interests. During our work together on Barnsley Gardens in the 1990s, she taught me much about garden history and research and encouraged me to accept my position at Dumbarton Oaks. The year I began, in 1997, she served as a member of the Garden Advisory Committee, which offered guidelines to me that I followed until my retirement in 2018.

In 2015, Catherine was awarded the Southern Garden History Society Certificate of Merit as a person who has advanced the mission and goals of the Society.

Left to right: Susan Hitchcock, Carleton Wood, Catherine Howett, Lee Dunn, and Staci Catron.

Another important garden history scholar is SGHS member Judith Tankard, who has written and lectured extensively on Beatrix Farrand, the primary designer of the gardens at Dumbarton Oaks. Her book Beatrix Farrand: Private Gardens, Public Landscapes, reviewed by Davyd Foard Hood in Magnolia Vol. XXIII, Spring 2010, was named an Honor Book for the 2010 Historic New England Book Prize. Author and photographer Richard Cheek took many of the beautiful photographs in the book, including those in the chapter on Dumbarton Oaks. In the 2013 Beatrix Farrand colloquium at Dumbarton Oaks, Judith was the concluding speaker, her poignant talk entitled Final Chapter: From Reef Point to Garland Farm.

Judith Tankard at Tregaron Estate. Photo by Jennifer Packard
Judith Tankard at Tregaron Estate. Photo by Jennifer Packard

In addition to her book on Farrand, Judith has written ten other books of garden history. She has spoken to the Society members at several meetings including New Orleans (2004), Restoring Southern Gardens and Landscapes (2015), Cave Hill in Lexington (2017), Jacksonville (2018), and Birmingham (2019).

In 2016 Judith generously donated the Judith B. Tankard Collection, including books, periodicals, research files to the Cherokee Garden Library, which serves as the archive for the Society.

Photo courtesy of Anne Symmes
Photo courtesy of Anne Symmes

In 2019, Insignia Films released the documentary Beatrix Farrand’s American Landscapes, created by SGHS member Anne Cleves Symmes and her filmmaker husband, Stephen Ives. The documentary, filmed over three years with a combination of interviews, historic photographs, and garden drawings, examines Farrand’s background and her projects through the fifty years of her work. Narrator Lynden Miller talks with Farrand scholars Patrick Chassé, Judith Tankard, Paula Deitz, and John Beardsley in Farrand gardens, including the Rockefeller Rose Garden at the New York Botanical Garden; the Wyman Garden at the Graduate College at Princeton University; the Abby Aldrich Rockefeller Garden in Seal Harbor, Maine; Bellefield in Hyde Park, New York; and Dumbarton Oaks.

Anne, horticulturist and leader of garden restoration for twenty years at Bellefield, is the daughter of Jane Campbell Symmes, a charter member of Southern Garden History Society and an honorary board member. Anne grew up in Madison, Georgia, on Cedar Lane Farm and completed the landscape design program at the New York Botanical Garden. She currently serves as garden educator at Bellefield.






One of the most delightful parts of being a member of the Southern Garden History is attending annual meetings, two of which, 1990 and 2000, have visited Dumbarton Oaks. In the blend of scholarship and fun over the weekends, friendships have formed in the years of meeting together. Fortunately, this same sense of fellowship exists between Dumbarton Oaks and the Southern Garden History Society, developed in the many years of shared endeavors. Both institutions have benefitted from the camaraderie and scholarship.

Fountain Terrace and Arbor Terrace, Dumbarton Oaks, 2008. Photo by Richard Cheek.
Fountain Terrace and Arbor Terrace, Dumbarton Oaks, 2008. Photo by Richard Cheek.

To learn more about the gardens at Dumbarton Oaks, view the virtual tour available on the Dumbarton Oaks website:





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Gail Griffin is a horticulturist and retired from her position as garden director of Dumbarton Oaks. She is also the SGHS treasurer.

  1. Philip McClain
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    I read with delight your marvelous coverage of associating with the southern garden history society and your many years at Dumbarton Oaks. The piece comprehensively covered so many personalities who share our interest in the history of landscape architecture. Thank you. I retired the year after you did and I am enjoying my Poplar Lane garden and my little Arboretum on Mount Berry outside of Madison Virginia.

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